PLECK lesson 2 · suggested week 1, day 2
Choose comfortable hand roles
Objective. Demonstrate this observable music task: Demonstrate your chosen hand roles, play bar 1 once, and draw a labeled hand-role sketch without a face.
Enlarge/print text, speak or dictate written responses, use parent scribing, quiet practice and a visible score. Left-handed hand roles are equivalent. A hearing/one-hand or temporary-instrument limitation can use an explicitly documented alternative target; do not claim an unobserved auditory or two-hand playing skill. Parent may consult an appropriate music/access professional; no medical diagnosis is made.
Start any clip at a low comfortable volume. No headphones or amplifier are required. Pause and tell an adult if it is uncomfortable. A download is not browser playback, and the clip is not a recording of a person playing.
About 45 minutes. The due date is chosen by a parent.
Materials: An available ordinary six-string acoustic/classical/electric guitar in standard tuning; no amp required, Pencil/paper or on-site text area, A nearby parent/teacher for live observation OR an optional private recording device, Optional existing pick, dry cloth, free reference tones/tuner or metronome; no purchase or account required.
Comes after GTR-L001.
The body is the large resonating or solid section; the neck is the long fretted section, and the headstock is its far end carrying the tuning pegs. The bridge anchors the strings on the body. The nut is the narrow slotted guide where the neck meets the headstock; frets are the metal wires across the neck. The nut is the zero end of fret counting; an open string has no fretting finger pressed down. In standard tuning the strings from lowest/thickest 6 to highest/thinnest 1 sound E2 A2 D3 G3 B3 E4. Scientific octave numbers distinguish the two E strings. Support the body securely and relax the shoulders. Pluck in the string area over the body between the end of the neck and bridge. Let a bare thumb or finger release one string with a small movement; do not pull it far outward or strike the body. Return the hand loosely after the sound. A beat is a regular pulse. In this course a printed duration 1 means one quarter-note beat, 2 means hold for two beats, and 4 means hold for four. Pluck once per event; r is counted silence. Start with a few comfortable sounds, not speed. Today: The fretting hand changes string length; the plucking hand starts vibration. Either handedness can learn. A left-handed instrument keeps string numbers and pitch names unchanged; do not improvise a restringing conversion. Use fretting/plucking hand roles for either handedness; string numbers stay fixed. Play in short comfortable blocks with breaks. Stop for pain, numbness or unsafe peg uncertainty; tell a responsible adult. No forced stretch, amp, purchases or new account is required.
Worked example
Original worked score GTR-EX002 (open-pair). First event: string 2 fret 0 (B3), lasting 1 quarter beats. Sound each event once, allow its duration to pass, and count rests without a new attack. Numbers aligned within a column belong to the same event. The following duration row, not character spacing, specifies time. Bar 1 (4/4, quarter=1 beat) beats | 1 1 1 1 | 1 E4 |-------0---------0--| 2 B3 |--0---------0-------| 3 G3 |--------------------| 4 D3 |--------------------| 5 A2 |--------------------| 6 E2 |--------------------| r=rest in all strings; dash=do not attack that string; each column is one event. Bar 2 (4/4, quarter=1 beat) beats | 2 2 | 1 E4 |-------0--| 2 B3 |--0-------| 3 G3 |----------| 4 D3 |----------| 5 A2 |----------| 6 E2 |----------| r=rest in all strings; dash=do not attack that string; each column is one event.
Bar 1, event 1, 1 beat, string/fret 2/0 sounding B3 Bar 1, event 2, 1 beat, string/fret 1/0 sounding E4 Bar 1, event 3, 1 beat, string/fret 2/0 sounding B3 Bar 1, event 4, 1 beat, string/fret 1/0 sounding E4 Bar 2, event 1, 2 beats, string/fret 2/0 sounding B3 Bar 2, event 2, 2 beats, string/fret 1/0 sounding E4
Choose comfortable hand roles — play, record and check
- 1. Does left-handed playing reverse the course string numbers?
- 2. Read the first and final sounding events of the supplied worked score. List their string/fret locations; a multi-note chord can have several locations.
- 3. Demonstrate your chosen hand roles, play bar 1 once, and draw a labeled hand-role sketch without a face. Actual playing: a parent hears the live guitar, or a private clip under 4 MB. Writing this answer does not replace the playing.
- 4. Spiral review from GTR-L001: perform only bar 1 of its supplied worked score once at a comfortable pulse. Name one location or timing feature you remembered; if playing is unavailable, record that performance is pending rather than claiming it. Actual playing: a parent hears the live guitar, or a private clip under 4 MB. Writing this answer does not replace the playing.
- 5. Record three things for this lesson: (1) actual task and chosen tempo or count method, (2) one specific audible/observed result, and (3) one safe next action. If already accurate, name a checked feature instead of inventing a mistake. Label support, adaptation or missing performance; do not invent minutes. Practice record. Text, a photo, or paper is enough for the log.
Feedback bands. R-THEORY. Music/instrument understanding. Answers the exact supplied question; Correct string/fret/pitch/rhythm or safety meaning; Clear labels distinguishing sounding/written pitch. 0: No relevant evidence yet. 1: Partial recognition with a material confusion. 2: Meaning mostly accurate with a correctable labeling gap. 3: Requested facts/calculation are accurate and clearly labeled. R-PERFORM. Actual guitar playing. Pitch/chord/string choices required by the visible task; Counted rhythm, rests and continuity at an agreed comfortable tempo; Clear intentional sound/phrasing within the stated task; Safe feasible movement and honest support/adaptation labels. 0: No usable observed/audible playing evidence yet; pending or access-adapted, not inferred from text. 1: Some assigned sounds evident; substantial location/time support needed. 2: Required task mostly recognizable with a few gaps and labeled supports. 3: Required notes/chords and rhythm are clear, with intentional starts/ends and safe control at the chosen tempo. R-ARTIFACT. Readable notation, design and original music. Exactly the features/counts visible in the task; Usable string/fret and duration/form labels where assigned; Consistent bar totals and actual performed version; Original/arranged/source and adaptation labels. 0: No inspectable artifact. 1: Some relevant work but key requested labels/counts missing. 2: Mostly reconstructable with limited inconsistencies. 3: Visible task complete, readable and musically reconstructable; labels honest. R-PRACTICE. Honest practice and reflection. Names actual task/attempt and tempo/count method; Specific observable result; Feasible safe next action. 0: No relevant record. 1: Vague record with little inspectable evidence. 2: Specific observation and plausible next step. 3: Clear evidence-linked observation and a feasible safe next action.
Acceptance checks
- Complete the explicitly numbered tasks and label the submitted score/version and support used.
- Meet only the note/chord/count/form/features stated in P1; diagrams and model examples do not add hidden quotas.
- Provide actual parent-observed live or audible private playing for the playing components. Paper/text/photos alone are not guitar competency evidence.
- For any assigned listening, label independent/replayed/supported/visual-alternative status honestly; do not infer hearing from reading.
- A slower safe attempt, accurately labeled complete reduced voicing, split evidence route or resubmission is allowed; exact notated bass changes require an explicitly adapted chart.
A student may explain aloud to a parent. Written/diagram tasks: on-site text, readable photo, print-and-hand-in or private scan. Playing: a parent hears actual live playing and logs the named task/bars, or submit short private audio/video clips each strictly below 4 MiB (4,194,304 bytes), using an app-supported format. Split by labeled phrases; check actual bytes. No face, legal name, home view, public account, ZIP or code upload is required. Actual upload formats/UI are unverified; use the live-parent route if unavailable. Text/photos alone do not establish playing. Label adaptations/support and allow resubmission.
Optional extra. Optional, not a grading requirement: make one new two-bar variation of the open-pair model using only already taught notes/chords and its meter; explain one changed rhythm or ending, or increase tempo slightly only if still relaxed.
Turn in a typed answer, a JPEG, PNG, or WebP photo, a PDF scan, or an MP3, WAV, M4A, MP4, or WebM file up to 4 MB. A parent can log paper. One https address is stored as text and is not opened or run. Zip and code files are refused.
- Classical Guitar Position Lesson
Optional public written reference for this unit; original lesson remains sufficient. Do not buy linked products or create an account.
· Opening this link does not submit the lesson. - Tuning the Classical Guitar
Optional public written reference for this unit; original lesson remains sufficient. Do not buy linked products or create an account.
· Opening this link does not submit the lesson. - Online tuner
Optional public written reference for this unit; original lesson remains sufficient. Do not buy linked products or create an account.
· Opening this link does not submit the lesson. - Online metronome
Optional public written reference for this unit; original lesson remains sufficient. Do not buy linked products or create an account.
· Opening this link does not submit the lesson.
This is a preview. A parent assigns the lesson and chooses the due date after the student is enrolled. The answer key is not on this page.